The author remembers seeing the Mona Lisa for the first time at the age of 12, and writing in her diary that something about Lisa’s expression seemed sad. She even imagines a reason for Lisa’s enigmatic smile.
“I wondered why it was never delivered,” Morelli explains, “and what it was about the picture that might have obsessed the artist so much that he worked on it until his death.” Leonardo kept the painting with him for the rest of his life, and this is one example of where the author takes the facts as far as they can go, then fills in some of the gaps with fiction writing. It’s clear from historical records that the portrait was never delivered to its patron, Lisa’s husband, Francesco del Giocondo. “In fact, if Leonardo were to walk into the Louvre today, I think he would be totally baffled! And yet, there is something about this portrait that defies our expectations and I think even Leonardo himself might have begun to see that toward the end of his life.”
“I’m sure he would rather have been working on some grand engineering project for a more powerful patron,” she says. Yet, Morelli explains that for da Vinci, a portrait of a cloth merchant’s wife would have been a “bread-and-butter” project. The Mona Lisa is of course one of the most fascinating pieces of art in the world. “After assuming the voice of Leonardo in The Night Portrait, (William Morrow, 2020)” Morelli says, “we pick up his story after his arrival in Florence as a mature artist with no commission in sight – until he’s asked to paint the portrait of a certain Lisa.” Filling in the Gaps: The Stolen Lady by Laura MorelliĪrt historian and historical novelist Laura Morelli revisits the life of Leonardo da Vinci in her latest novel, The Stolen Lady (William Morrow, 2021).
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